Jungle War!

Anyone who keeps an eye on the Grime scene (or indeed, just the likes of FACT magazine) will probably be familiar with last years War Dubs contest. Over the last few days a new war has begun, but this time it’s Jungle producers clashing over Soundcloud; amens at the ready then! What started as Epoch calling out Sully and Etch has rapidly escalated into a massive clash with the likes of Om Unit, Fre4knc, Moresounds, Amoss, Dexta and many more. You can hear a few of the Dojo favourites below, and if you’re keen to hear more head over to Soundcloud where you can find well over 300 jungle war dubs! All credit to DSZ intel for compiling the playlist.

Audio – Force of Nature Teaser [Virus]

Audio’s fourth full length LP (and his 3rd for Ed Rush & Optical’s well respected Virus Recordings imprint) is due to drop this November and the hype starts here! A cheeky four minute teaser video showcases mere snippets of each track from the album, but gives a nice taste of what’s to come.

Audio’s signature sound is clearly audible on the tracks, which range from heavier neurofunk belters to dark, MC-led steppers, all with that sci-fi edge Virus heads know and love. Check out the clips below and hold tight for a full review over the next few weeks.

[youtube http://www.youtube.com/watch?v=taZwIIO5tXE]

Therapy Sessions London – 20th April 2013

Those of you who like the harder side of drum & bass are probably familiar with the notorious Therapy Sessions. The boys are celebrating their ten year anniversary in style with a huge show in London Donny, Counterstrike, Unknown Error, and Kryptic Minds doing a special one-off 2004 Defcom set.

Check out all the details on the Facebook event and get yourself along to Relay on April 20th for some serious darkness!

In The Mix…Aaron Spectre

To celebrate his addition to the already healthy lineup for this year’s Bangface Weekender, the legend that is Aaron Spectre has come up with a “Return to the Jungle” mix which delivers a tight mashup of Jungle, Breakcore, Ragga and Drum & Bass vibes. 26 minutes of clattering snares, glitched amens, rastafari vocal snippets and low end heft…get in!

Renegade Hardware 18th Birthday @ Cable

Renegade Hardware 18th Birthday

The legendary Renegade Hardware label turns 18 years old next month and they’re celebrating by bringing a truly ridiculous lineup to Cable in London.

Room 1 sees Hardware bringing nothing but B2B techstep & neurofunk with scene stalwarts like Audio & Cause4Concern playing alongside newcomers such as Memtrix and Maztek. Expect heavy, heavy dubplate vibes.

Room 2 meanwhile will be playing host to deeper vibes with sets from the likes of Loxy and Skeptical and what’s sure to be a breathtaking live set from Amit.

Check out all the details here and grab yourself an early bird ticket while the getting is good!

Rooted Recordings Q&A

Chemical Ally’s brand new D&B label Rooted Recordings launched this week with some top notch techstep from Fade, 2Sides, Chemical Ally and Lady Flava. We caught up with Ally for a quick Q&A about the label.

DNB Dojo: There are so many small independent D&B labels about, especially in London. What inspired you to set up Rooted, and what sets it apart from other similar labels?

Chemical Ally: In music there are many independent labels across all genres, and I think it’s excellent. The ability for people to express themselves and maintain control of their own sound, Is what it’s all about. Let’s face it, this is about love for the sound that your label represents!

What sets it apart from other similar labels? Well I think in most cases what sets things apart, are the individuals behind the project and their motives. Some people maybe on to the next new sound, or be the next big thing. Or in my case, I aim to help maintain a sound and vibe, that i’m finding harder and harder to buy. I predominantly played Techno in my early DJing years and this then morphed into D&B. So Rooted will be styled from this mix of musical influences.

DD: Some of the tunes coming out on Rooted definitely hark back to a slightly older era of techstep production where menacing reese basslines were the order of the day. Was this a deliberate decision or just the best tunes you heard happened to be slightly “old school” in sound?

CA: This was a deliberate decision. D&B has many different affects on the dance floor, a warm fat bass that completely immerses you has the best effect of them all! In 1991 I was completely hooked on Rave music, 97-02 is my favourite period in D&B. This is and will always be the golden era for me, I consider myself Oldskool in mind. The early rave years combined with my love for Techno and late 90’s D&B will all have influence on Rooted recordings.

DD: Which producers are exciting you most in the scene just now?

CA: There are so many. Obviously the artists that have featured on Rooted001. Fade is consistently churning out music he’s like a machine, I’m sure we’re gonna see a lot from him over the coming years. 2Sides is another force to be reckoned with, fresh people with fresh ideas. Artists such as Edit, xtrah, Villem, Fields, Mako, Krakota are all featuring heavily in the sets i’m playing. Then you have the veteran producers such as Break, Total Science, Marcus Intalex, that relentlessly provide music that keeps the scene buoyant.

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Check out the tunes from Rooted001 below and grab yourself a copy from Beatport!

October Roundup

So much great drum & bass has come into the inbox this month, it seemed like a good time for another roundup post!

First up, Ingredients have been going from strength to strength with their recent releases. The 29th label release saw them release a quality wee EP in the form of Mis En Place Pt. 1, featuring some great tracks by Villem, Mark Recoil and Foreign Concept, alongside my pick of the EP, dBridge‘s smooth remix of Kodo‘s The Jackal.

Not content to rest on their laurels, the label are gearing up for their 30th release with a 12″ from newcomers Ruffhouse, with a very tribal feel to it. Fans of the recent Loxy & Resound album on Exit should definitely have a listen to this.

Shogun sister label SGN:Ltd are back with another beauty from Technimatic (formerly Technicolour and Komatic) and as we’ve come to expect from this duo it’s smooth liquid vibes all the way. Unfinished Business leads the release but it’s She Knows It on the flip that really caught my attention.

Utopia Music‘s 10th release sees legendary producer Break teaming up with Fields, label owner Mako & Villem on a heavy techy roller. The deep atmospheric intro lulls the listener into a false sense of security before the drop, all clattering toms and low end growl.

[youtube http://www.youtube.com/watch?v=JXyDs1UdFGc]

French label IM:Ltd are back with a new EP featuring a versatile selection of tracks from a number of relatively unknown producers. You can check out the whole EP below; my picks of the bunch are Nuage’s Above Time (a lovely piano lead deep roller) and Atmospherix’s In This Life, which features some beautifully crisp breaks and a warm, simple bassline that proves just irresistible.

Critical are back with another deep release, this time featuring collabs with the vocal talent that is Riya. A side Injustice sees Riya teaming up with Sabre for a beautiful deep roller while the b-side switches production to Foreign Concept for an autonomic style melancholy half stepper. Essential purchase as usual from the Critical stable!

RAM‘s new sister label ProgRAM are back with another chunky dancefloor number from Kove in the form of Iodine/Open Ground which does the business exactly as you’d expect.

Last but not least, Lifted sister label Breed 12 Inches are back with an absolutely phenomenal release from Memtrix, who at the young age of 16 is already setting the world of drum & bass alight. Mind Control and Slipper both deliver some seriously heavy neurofunk business…one to watch for 2013, definitely big things coming from this guy!

Octane & DLR Interview

Last month Octane & DLR released their highly anticipated debut album Method in the Madness to the delight of drum & bass heads everywhere. We caught up with the guys for a quick Q&A about the album and their plans for the future.

DNB Dojo: The album includes a variety of styles, not just the drum & bass you’re known for. Was that a new thing for the album, or have you guys been writing other styles for a while and just not releasing them?

Octane & DLR: We’ve been writing more downtempo music under the name Cymatic for a while. The collective consists of the both of us, Octane & DLR, along with Ruckspin & Quantum Soul.  It’s not a project we’ve wanted to shout about too much because everyone involved already has their own projects with their own workload already quite heavily packed and that doesn’t leave much time for us all to get together. We have released a few things.  Most recently, Electric Church / Jungle Fever and Glue / Hound Dog.  Both 12″s on Box Clever.

With the Method album we wanted to show all of our colours and it made sense for us to add some of our newer Cymatic material.

DD: What’s your favourite tune on the album? Or failing that, which one has been generating the most buzz?

O & DLR: We can’t give you our favourites because we’re completely numb to the whole album after spending so much time writing it! From what we’ve seen so far, the two clear favourites seem to be Murmur (ft. Break) and Set Up The Set (ft. Script).  They’re both definitely the most dancefloor orientated tracks and we expected they’d be the tracks to make an initial impact but maybe people’s favourites will change in time. We’d like to think the album has the ability to grow on people too.

DD: What’s next after the album release? World Tour? Or are you gonna take some time off?

O & DLR: We thought we’d take a little time off but that hasn’t happened yet. We’ve recently remixed Stone & Gerra‘s Dronehead and DabsWho is Gonna Lead and written another track with Break for the Forthcoming Symmetry VA album.  We’ve got a lot more studio work in progress and we’re touring with the album so I think a bit of time off is out of the question just for now.

EB: It’s been a big year for you, with releases on some legendary labels and tons of gigs all over the place. What’s been your highlight of 2012 so far?

O & DLR: Actually finishing the album within our lifetime and without killing each other and/or Ant (TC1).  Then, on the gigs front, Outlook 2012 without question.  For anyone who hasn’t been out there, you really need to make 2013 happen.  Vibes are just incredible!

DD: One for the production geeks out there, what’s your studio setup like in terms of hardware and software?

O & DLR: We love our hardware.  We’ve been through so much kit, it’s ridiculous (and expensive).  There are pictures of our combined studio at www.exhaleaudio.co.uk (where we wrote most of the album). In all honesty though, some software lately has just blown us away. UAD, Waves, Airwindows, Brainworx and Flux are some of the best processors we’ve heard. It’s hard to believe how far technology has moved on and the new wave of inverse distortion plugins is really capturing the analogue inconsistencies that computer musicians were craving.

DD: Wanna tell us a bit more about the Cymatic project?

O & DLR: There’s the two of us [Chris and J] along with Dom (Ruckspin, Submotion Orchestra, Author) and Guy (Quantum Soul). It’s a strange project because although we all love it so much, we rarely all get the chance to be in the same place at the same time due to our solo commitments. When we do, however, there’s usually a few all-night sessions and we really tend to ‘go in’ on the music. The four of us all bring something unique to the sessions and we always manage to keep a vibe going. Having four heads involved is certainly a great way to stay inspired. 2013 will see more Cymatic material.  There’s already more music in the works.

DD: Who are your favourite producers right now?

O & DLR: We don’t really have favourite artists. We’re both on the same page when it comes to this. We’ve always had the idea that we don’t want to sound like anyone or be influenced by anyone else. Obviously we’ve been influenced by everything we’ve heard and enjoyed and it must come through in our own works to some degree but to pin down a favourite artist/producer is near on impossible because there’s just so much amazing music out there.

DD: Lastly, what (in your opinion) is the best record ever? Any era, any style, any musician

O & DLR: I can’t remember what it was or who it was by but it was probably on a tape pack from 1994 and it went something like ‘da dee naa naaa  dum dum’ and had loads of samples in it…that same rave scene inspired everything we all know as dance music now. We’re lucky in that we’ve had Drum & Bass for 20 years now!


Check out clips of the album below and grab yourself a copy from the Dispatch Store at Surus.co.uk.

April Round-Up

April has been yet another fantastic month for Drum & Bass with so many good releases it’s been difficult to keep track! Here’s our pick of the best tracks recently released and forthcoming this month.

First up is the brilliant new EP from Nether, out April 16th on Space Cadets. Fans of ASC, dBridge and the more minimal styles of d&b should check this out for 3 tracks of atmospheric microfunk.

The Shogun release schedule has been packed as ever, with Rockwell‘s new single Tripwire dropping at the end of last month. This time they’re back with the first single from the forthcoming Spectrasoul LP. The A side is a nice piece of atmospheric liquid with a great vocal by Terri Walker but Shackles on the flipside is the highlight of the release, combining super tight amen breakwork with a  tidy ragga vocal from Fox. The single is out today so go grab a copy from your favourite digital store.

httpv://www.youtube.com/watch?v=Ycow5TTwToI

Total Science & S.P.Y have cooked up a lovely piece of melodic liquid aptly titled Piano Funk which is out now on Tool Room Records. Riya’s trademark soulful vocals on top of a beautifully laid back melody make this a must have for those who appreciate the deeper side of the genre.

Last but not least the good folk at Neosignal have dished up another episode of their podcast which delivers the usual storming barage of neurofunk bassline and hyper compressed kick drums.

Feb Round-up

So much quality Drum & Bass has been hitting the speakers lately that we felt a little round up of highlights was in order!

First up, Techstep godfather and Metro Recordings head-honcho Matrix has teamed up with up and comer InsideInfo to produce Quattro and they’ve come up with something quite special. A sparkly, twinkling melody builds the song up during the intro leading up to a firm drop and some brilliant moving bass synths, with the flashes of high end keeping things sounding bright. Ice Beam on the flip on the other hand is a solid dancefloor roller with a healthy growl to it. Watch out for the release on Mar 12th.

Shogun sister label SGN:LTD have got a brand new 12″ from Technicolour & Komatic who have delivered a rough amen roller in the form of We Were Always One, also out Mar 12th.

The official video for Sabre, Stray & Halogenics feat. Frank Carter III – Oblique has dropped this week. The song has been receiving props left, right and centre and is probably the best piece of deep liquid dnb that’s been released in the last 5 years. We don’t throw around words like “essential” lightly but this tune is just that. Look out for the release on Critical coming Feb 27th, backed with a tasty garage remix from Synkro.

[youtube http://www.youtube.com/watch?v=fffHfyie9tw]

Just today Commercial Suicide have put up the previews for SUICIDE062. Ulterior Motive have a grimey stepper on the A side but the real highlight here is the Klute VIP of Nymfo‘s Resolve. Bad tune!

Last but certainly not least, Glasgow D&B stalwarts Symbiosis have just released Episode 4 of their show on Radio Magnetic, featuring 2 hours of top quality beats including a guest mix from Edinburgh DJ and Special Records chief, Special Ed. Check it out over here.