Akuratyde – Embrace EP [Blu Mar Ten Music]

After a short hiatus, Blu Mar Ten Music are back with more effortlessly beautiful music, this time from US producer Akuratyde. The Embrace EP occupies the same sort of musical space as artists like Kiyoko or Ulrich Schnauss; glistening pads, an air of melancholy and the influence of ambient and IDM characterise the recordings far more than the influence of conventional D&B, particularly on the EP’s first two tracks. Embrace and Lights In My Eyes both relegate beats and bass to a modest supporting role behind the swathes of reverb drenched chords and lush sonic imagery, creating a sense of distance and longing.

The second half of the EP sees a slight shift towards more beat driven compositions, with Time Left Behind exploring the halftime tempo with crisp but understated percussion under a warm blanket of sub bass and blissful echoing melodies. Sway closes the EP out with what could well be a love letter to Seba or Blu Mar Ten themselves, the release’s most “D&B” track. As usual Blu Mar Ten Music are right on the pulse, bringing us fantastically creative work from a new name we’ll certainly be keeping an eye on in future! Check out the clips below and hit up the Blu Mar Ten Bandcamp to grab a copy right now.

Ivy Lab – 20/20 Volume One [20/20]

Ivy Lab’s sonic journey since the trio’s pre-alias collaboration in 2012 on the sublime Oblique has been a treat to watch. While initially known for silky smooth liquid rollers, it didn’t take the Lab long to start experimenting with a distinctly different style of beats that they refer to loosely as “halftime”, starting with the infamous Sunday Crunk and continuing with many of the tracks on the Twenty Questions EP.

That “halftime” moniker really doesn’t do the style justice though, especially since it’s a term used to describe a lot of the deeper, half tempo music created by producers like Homemade Weapons and Cirrus that has little if anything to do with the hip-hop infused sound that Sabre, Stray and Halogenix have pioneered. “Halftime Hip-hop” might be closer to the truth, but as yet noone has really found a suitable handle for their mixture of LA bass, crunk, hip-hop and glitch.

All of this brings us to now, and Ivy Lab’s decision to separate this “halftime” material from their more traditional D&B excursions, start their own 20/20 label and release a full album of it. With nary a 2-step breakbeat in sight (or should that be earshot?) this is a firm division of styles, with the trio already having stated that we can expect more D&B via Critical Music in the future.

The results here should definitely appeal to fans of EPROM, Alix Perez, and anyone who appreciates the swagger and funk of this style of beats. Low end heft, sexy vocal cut ups and great use of space define a confident and exciting sound from a production team that surely have tons more to show us. Get your groove on with 20/20 Volume One – you won’t regret it! The album is out now via the 20/20 website, and there’s a sick album mix by none other than the legendary DJ Craze below.

Quentin Hiatus – I’m Neither Quentin Nor Hiatus [Free Love Digi]

Quentin Hiatus’ work has been skirting the boundaries of Drum & Bass for some time now, blending hip-hop, halftime D&B, footwork and who knows what else to craft a style which is almost impossible to pin down or pigeon hole. His latest mini LP, I’m Neither Quentin Nor Hiatus Vol. 1, drops on his own Free Love Digi imprint next month, and it features some of his most exciting aural experiments to date.

Let’s be clear straight away; this album isn’t drum & bass by any conventional definition. The influence of 20 years of jungle and its offshoots undeniably informs Quentin’s music, but this latest release features few if any of the genre’s standard tropes beyond a shared tempo region. Purists expecting 2-step rhythms or amen breaks may well be disappointed, but open-minded listeners should find themselves drawn into a rich tapestry of sounds and feelings unconstrained by the more formulaic standards of electronic music.

The LP features a wide range of vibes across its seven tracks, ranging from the funky halftime hip-hop of Wait Right Here to the threatening techno infused sounds of 56 and out into the semi-ambient synth ramblings of Kuchi Kopi. While some of the tracks feel like they could move a few dancing feet, for the most part this feels like a man trying (and indeed succeeding) in converting his inner thoughts to music without much concern for how the end product will fit into anyone else’s expectations.

Abstract, beautiful and challenging, this is an LP that may well be overlooked in the sea of more easily consumable DJ friendly-fare, which would be a great shame. Expand your horizons via the clips below, and look out for the LP dropping from November 11th via all good digital stores.

Koronis – The Replicant LP

Koronis

Kiwi producer and sound-design artist Koronis isn’t a name I’ve come across before, but it’s certainly one I’ll be keeping an eye on in future based on the strength of his latest LP project The Replicant. Bringing together creepy atmospherics more common to dark ambient and crisp techstep minimalism, the resulting tracks have a bleakness and intrigue which draws the listener in impressively.

The LP’s first half focuses on more conventional drum & bass patterns, and while not unduly dancefloor focussed features three tracks which wouldn’t feel out of place in a “room 2” set from the likes of Amoss or Cern. Tough amens, intricate drum patterns and a gloomy vibe pervades the material here nicely.

The second half takes things far more abstract, dropping the beats almost entirely to focus on sound design and texture, with powerful ambience and use of atonal melodies taking the tone to a deeper and almost spiritual place. Koronis is tapping into the cross section between dark D&B and dark ambient for a truly unique experience here, not least on the haunting tones of Kara, the LP’s final track.

For those who enjoy exploring the less than beaten paths at the fringes of drum & bass, I can’t recommend this record enough. Check out the video mix below for a flavour of the material and watch out for the LP dropping later this year on vinyl and digital.

https://www.youtube.com/watch?v=Y5cg2RAg1rg

Theme – Scenes 1-4 EP [Samurai Red Seal]

Berlin-based producer Theme returns to Samurai Music after a popular release on their Horo imprint with a new EP blending halftime D&B with elements of dub techno, and the results are pretty stunning. Shimmering synth progressions, reverb drenched snares and a muted yet euphoric vibe characterise the tunes, and the compositions really draw you into the abstract world of their creator via a hypnotic, enveloping array of sonics.

While words like “hypnotic” and “meditation” get thrown around willy-nilly when discussing electronica that draws on ambience or floaty synths, these descriptions seem entirely fitting here. What exactly Theme is meditating on via these tracks is probably known only to him, but the body of work certainly carries a serene, thoughtful aesthetic which isn’t common in drum & bass…but then to many this isn’t drum & bass, and isn’t really trying to be either. The overall tone certainly shares more in common with dub techno, though the tempo and drum structures give away the influence of 85/170BPM music, call it what you will.

Pointless chin stroking regarding “true genre” aside, Scenes 1-4 is a breathtaking selection of tracks and one of the best attempts we’ve heard recently at the kind of musical zen producers of Theme’s ilk endeavour to create. Check out the clips below and lose yourself in it all…then head over to the Samurai Store and grab a copy on vinyl or digital, out right now.

If you want more from Theme, be sure to check out his mix for the Samurai Podcast below; 58 minutes of dubbed out halftime selections.

Alix Perez & EPROM – Shades EP [Alpha Pup]

Alix Perez’s latest collaboration with US bass-slinger EPROM sees him completely eschewing the D&B template in favour of lower tempo shenanigans, but if you’re a fan of bass heavy electronica with a hefty dash of hip-hop swagger then you should definitely give the Shades EP a listen.

Dropping today on LA imprint Alpha Pup, the four tracks feature some serious low end weight and a head nod inducing groove that is just irresistible. Check out possibly the EP’s biggest cut, Chiron, below and hit up iTunes to grab the EP now; vinyl should follow shortly.

The Levels – The Levels EP

Long time collaborators Loxy & Resound have teamed up with vocalist Alia Fresco to form a new project called The Levels, and their first selection of work shows plenty of interesting ideas. Blending hints of soul and R&B with years of beat making expertise and a dash of pop sensibilities, the trio could yet turn out to be the Autonomic legacy’s Magnetic Man.

Great use is made of Fresco’s voice, leading the tracks nicely but allowing the music to breathe and fill the remaining space. Perhaps the best example of this comes on We Could Be, fittingly made in collaboration with dBridge. The EP closes out with a more conventional D&B beat on Right Here, giving a nod to Loxy & Resound’s musical roots, but to be honest the slower tempo productions are far more interesting.

The EP is out right now via The Levels bandcamp; check out the tracks below and keep your eyes peeled for more material from the trio very soon.

The Rum Baba – Strike EP

artwork

Self-styled “Tropical Bass” producer The Rum Baba brings her intriguing blend of electronic shenanigans to the ridiculously named Aluminium Shiny Shin Side Shackout Music (try and say that when you’ve had a couple of pints…) and the results are pretty intriguing. The tracks on the EP career around the genre spectrum, taking splashes of influence from D&B, bashment, dub, soca, ska and who knows what else.

Meatallic and Nuclear prove the most uptempo tracks on offer, with the former providing a kick and sub dominated smasher and the latter serving up a tidy slice of drum-roll heavy D&B shenanigans. The middle of the EP definitely takes it a little easier, with slouching, bass heavy riddims a plenty for your sonic delectation. There’s definitely a hint of the tropical to it all, and it’s certainly a bit different from the usual fare.

Check out the clips below and hit up Juno for the pre-order before the July 31st release date.

All Hell Is Breaking Loose (Gentleman’s Dub Club Remix) [Hospital Records]

The latest release from Hospital definitely breaks the mould, featuring remixes and cover versions of London Elektricity in some unusual styles. All Hell Is Breaking Loose gets a fantastic dub reggae remix from Gentleman’s Dub Club, KYX Orchestra provide a swing & bass cover of Out Of This World and the Riot Jazz Brass Band provide an appropriately brassy cover of Just One Second. 

Hearing these songs lovingly retooled with such different instrumentation is absolutely fantastic, and it’s great to see Hospital putting out a release for the love of the music with no eyes on the club/DJ market. Check out the clips below and hit up the Hospital Store to grab the tracks on 10″ vinyl or digital.

 

Fade – Acid Trip / Get Rowdy [Diffrent Music]

If the psychedelic artwork and track names haven’t already given you the hint, let us set this one straight for you; Fade is getting a bit ravey on his latest work for Dexta’s ever impressive Diffrent imprint.

Acid Trip leads with classic rave synths on the intro before pounding bass stabs slam down around the heavy hitting half-time rhythm. Get Rowdy meanwhile lulls you into a false sense of security with lush IDM-esque sounds before the frenetic percussion and chipmunk-pitched vocal refrain drop in to hype the track up. Cracking!

Check out the clips below and hit up the Diffrent bandcamp to grab this right now.

[bandcamp width=100% height=208 album=2614984123 size=large bgcol=ffffff linkcol=0687f5 artwork=none]