Klax – Systems Vol. 3 [Critical Music]

Brighton production trio Klax are kicking off their 2016 in a big way with their entry to the Critical Music Systems series, following on from the previous volumes by Halogenix and Fre4knc.

Systems Vol. 3 continues the Critical trend for genre-blending experimentations, bringing together the energy and intricacy of D&B with the influence of hip-hop and the wider world of bass music for a potent selection of sonic weapons. The appropriately titled Ritalin leads the charge with an onslaught of off kilter drum rolls, hard metallic snares and ADHD vocal chop ups. Hotline continues this theme, slowing the roll slightly to focus on a hip-hop swagger and the influence of trap and footwork, while The Level brings more of a carnival vibe to the table.

Just to switch things up a bit we’re treated to a thoroughly tasty remix of previous Klax/Critical outing Blackball with Foreign Concept lending the tune his own distinctive touch. The distinctive bassline remains but the previously stark arrangement are replaced with a more rolling breakbeat and some extra pads to pack the tune out a little. Last but by no means least Wait For Me provides one last hefty halftime stomper, and stomping it is with massive kicks, echoing claps and some pretty badass synth action on the go.

As we’ve come to expect now Critical continue to push the envelope of what D&B can and should be, while keeping it firmly dancefloor focussed. We’ll have plenty more of this please; check out the clips below and hit up the Critical Store to grab the EP on vinyl or digital now.

BCee & Saxxon – Blue Harbour EP [Soul Trader]

We love a good roller here at DNB Dojo; sometimes music doesn’t need to be genre-bending or revolutionary to bring a massive smile to your face, and the latest creations from BCee & Saxxon for Soul Trader Records hit that spot pretty perfectly.

BCee opens things up with the energetic, jazzy vibes of Only You before flipping things around with the tough breaks and vocal emphasis of Understanding. Not to be outdone, Saxxon dishes up a classic Liquid V style roller on Blue Harbour; this one is pure sunshine designed to wash away the winter blues. Last but not least the pair join forces with Soul Trader boss Surplus for the bouncy Tripped Up; that garage-style bassline really hits the spot!

Super smooth liquid once again from the Soul Trader crew. Look out for this on vinyl and digital from Jan 15th.

Composite – Nesh EP [Context Audio]

Those who keep their finger on the pulse of the D&B scene in the south of England should already be aware of Context Audio, but for anyone who missed their inception announcements they’re a new digital imprint based in Portsmouth. In their own words, they are “a label focused on only serving up exceptional high grade drums. We like it deep and rolling, and we hope you do too”. Sounds good to us here at Dojo HQ!

Sounding even better than the press sound-bites are the clips for their debut release from Composite. The EP serves up three distinct tracks held together by fantastic percussion – those brags about high grade drums seem well founded from this outting at least.

The grittier vibes of opener Nesh and the softer liquid strains of Know Yourself are both solid tracks but for us the real star of this show is the crazy 5/4 drumfunk of Dispersion. Channelling the influence of Photek from tracks like Ni Ten Ichi Ryu into an utterly beautiful, confoundingly rhythmic and deeply unusual composition, this is one of the freshest tunes we’ve heard from a new label in some time.

The EP is due for release Jan 28th so keep your eyes on the Context Facebook feed for more details, and if you happen to be in the Portsmouth area on Feb 5th get yourself along to their label launch party.

Authentic Music Return!

Czech tech imprint Authentic Music have been pretty quiet until recently, but they’re coming out of hibernation in a big way this month with the release of two compilation EPs featuring some of the best tracks from the label back catalogue. The first one is out right now featuring cuts from Hybris, A-Cray, Bone and Peejay & Panorama, and if you like your beats crunchy and forward thinking it should be right up your street.

Besides the Square One EP we can look forward to the next one (you guessed it – Square Two) dropping from Jan 18th on Juno and Jan 25th elsewhere. Featuring another fine selection from A-Cray, Ower, Definate and Hemoglobin, this is equally worth a look if you missed the tracks first time around.

As if all that wasn’t enough they’ve also released the first teaser of their next project, Art of Deception. Look out for more news on this soon, but meantime you can check out the clip of Revaux’s satisfying chunky Solidify below. 

December Roundup Part Two

We’ve been a little less active than usual with the posts this festive season so for our very last post of 2015 we’re rounding up the best releases this month which might otherwise have slipped the net. Read on for new beats from Trilo, Was A Be, Sikey and more… Continue reading

Quentin Hiatus – I’m Neither Quentin Nor Hiatus Vol. 2 [Free Love Digi]

US beatsmith and sonic experimenter extraordinaire Quentin Hiatus returns with the second volume of his split LP, I’m Neither Quentin Nor Hiatus. After the mostly experimental and introspective sounds of the excellent Vol. 1the second instalment seems to shift focus towards the dancefloor while keeping that trademark QH playfulness when it comes to sitting slightly outside convention.

There’s certainly plenty of variety on show here; After Image kicks things off with a hypnotic slice of rolling, tech-edged D&B, while Always Sunny immediately flips things around into a moodier and more techno inspired groove. Elsewhere we’re treated to lower tempo garagey vibes on the fantastically groovy Danny Tanner, jacking house on Steppin Out and scuzzed up footwork on Edison before I Stop closes the album out with a slice of IDM-infused halftime hip-hop.

If Vol. 1 was the sound of a man’s innermost thoughts and feelings wrapped in an eclectic array of electronic instrumentation, Vol. 2 is that same man jumping out of the armchair and heading straight to the dancefloor to throw some mean shapes. Another thoroughly enjoyable outing from a producer who constantly impresses us here at the Dojo. Check out the clips below and hit up your favourite digital outlet to grab the LP now!

Lurch – Long Road Back [Flexout]

Flexout Audio continue their impressive run of releases with two fresh tracks from Lurch. Long Road Back brings together Lurch’s aptitude for melancholy liquid elements with a growling bassline and a heavy hitting halftime drum line, creating a great little hybrid of light and dark. Beer Belly Dub ups the ante, going in full roll on the drums and bringing in tons of movement in the low end for a perfect balance of grime and funk. This one’s out now at all good digital outlets; get to know!

Sabre – Yoga (Alix Perez Remixes) [Plasma Audio]

After an initially slow cycle of releases Melbourne’s Plasma Audio have kicked things into gear this year, knocking out some really forward thinking music. Their latest release sees them close out 2015 in style with two new remixes from none other than Alix Perez.

It’s always a pleasure when a label picks one of your favourite artists to remix one of your favourite tunes from their catalogue, so when I saw the promo land in the inbox I knew I was in for a treat. Fresh from his storming collab work with EPROM, Perez has taken the chunky hip-hop spirit of Yoga and put his own distinctive touch to it, healthy with that low-slung, crunked-out vibe that he’s so good at dishing up.

In addition to the more obvious club mix, we’re also treated to a less convention bound (and less DJ friendly) rearrangement on the warped mix. My only complaint here is that it could be more warped; asides from the intro the deviations from the club mix aren’t that pronounced, which is a shame given the possibilities for experimental wonkyness. Still, this is a minor quibble in the face of a really enjoyable rework.

This one will be dropping on vinyl in January; hit up the Plasma Store to pre-order the wax, and look out for the digital at all the usual outlets from December 14th.

Soul Intent – Late Night Sleaze EP [Lossless]

Soul Intent has been really impressing us here at the Dojo lately and his latest work on his own Lossless Music imprint proves no exception to that rule. The Late Night Sleaze EP collects four cheeky rollers imbued with plenty of character and soul, walking a pleasant line between dancefloor chops and musical deftness.

1,2,3,4 kicks off the release, featuring old school hero DJ Tango and a combination of twangy double bass and rolling breakbeats which should put a skip in your step and a smile on your face; low slung and funky as hell. Go Hustle takes things murkier, skuzzing out the bass behind some tasty jazz licks for a solid head-nodder.

Late Night Sleaze continues that jazz theme, with sultry saxophone riffs accompanying another satisfyingly chunky break for a tune that positively oozes class. Eyes might even meet on the dancefloor over this one! Last but not least, Nearly There spaces things way out for an epic downtempo jam, reverb drenched snares echoing out into the distance behind the mournful piano riff for a proper tug at the heartstrings.

It’s always great to hear artists proving that drum & bass can be about emotion as well as just making your feet move, and this EP more than accomplishes that feat. Check out the clips below and hit up the Lossless Bandcamp to get a copy direct from the source on vinyl or digital now.

Grand Royal Vol. 1 [Vandal LTD]

Vandal LTD’s latest release sees them celebrating a collection of tracks at the edge of the halftime D&B sound where the waters begin to get muddy and the influence of hip-hop, footwork and other bass music mutates the sound in new and interesting ways.

Signs, SKS & Skank get together for the EP’s opener, the swaggering and audacious Bliss Flop. This one undoubtedly owes a little to Ivy Lab’s seminal Sunday Crunk, but it’s still a fantastic slice of halftime hip-hop with a grin-inducing bassline and heaps of attitude.

Tim Reaper’s contribution to the EP (alongside Vanar and Mieur) takes things in a totally different direction, with a distinctly techno influenced beat driving along under spooky soundscapes for a hypnotic journey through 5am clubland and into weird early morning psychedelia.

Elsewhere the EP features some nice tracks influenced by the Chicago footwork sound, the best of which is undoubtedly Lumumba’s Exhale. Frantic high hats and rap vocal cut ups may well be overplayed by now but this one is still a hugely satisfying listen, and it’s nice to see this sound spreading and being played with by so many in the D&B community.

The Grand Royal EP is out now at all good stores, so check out the clips below and grab yourself an unconventional selection of beats at your leisure.