We’ve teamed up with the mighty T3K Recordings to present a nice little free download from label boss Kaiza and fellow German producers St4sh & Wresker. Bringing together a monstrous bassline and a heavy swung beat that moves from stomping halftime into full roll, this one is pure destruction! Check it out and grab yourself a free download via Soundcloud or Google Drive!
Tag Archives: Bass
Audeka – Lost Souls LP [Methlab]
Methlab’s foray into record label territory over the past few months has resulted in some seriously impressive releases, and their latest from US production trio Audeka is undoubtedly the label’s most ambitious project to date.
Unsuprisingly given Methlab’s heritage and artist roster and Audeka’s previous work, the first thing that jumps out about Lost Souls is the quality and detail of the sound design. Bassline production geeks will definitely find plenty to be impressed by here, but despite the technicality the results are powerful and emotionally resonant. Neurofunk and it’s related lower-tempo cousins can sometimes become a biggest-bassline dick-waiving contest and thankfully Audeka have avoided falling into that trap.
There’s also a versatility on show here with the album’s first two tracks alone showing a huge range, jumping from dubstep-esque industrial-tinged destruction to beautifully soft trip-hop. Most of the tracks on the LP definitely lean more towards the former than the latter, but even within that signature Audeka sound of groaning bass distortion and heavy hitting percussion there’s room for tons of experimentation with both rhythm and sonic texture.
Most ambitiously still the album attempts to tell a complex story of a man’s journey from a small village through a forbidden underworld as he attempts to rescue his wife from the clutches of a dark magic. Given the album’s largely instrumental nature it’s difficult to imagine this narrative coming across without prior knowledge, but it’s nonetheless interesting to bear this in mind when listening to the sounds and moods of each track; it certainly conveys a journey through myriad fantastical landscapes.
Overall if you like your electronica a little avant-garde and have ever enjoyed productions from the likes of Broken Note, Amon Tobin or Noisia then this album is absolutely essential listening. Lost Souls is available right now from the Methlab Bandcamp; grab it straight from the source and net yourself some attractive artwork posters into the bargain.
Premiere: Thomas B – Nectar (Ghast Remix)
Free Love Digi return with a top notch new EP from Thomas B & Ghast, and we’ve got the exclusive on the latter’s tasty new remix of the former’s Nectar. Experimental riddims and a deft little tempo duck in the bridge make for a wicked ride.
Thomas B:
Facebook → www.facebook.com/thomasbmusic
SoundCloud → @thomasbaz
Twitter → www.twitter.com/Thomas_Beezy
Ghast:
Facebook → www.facebook.com/GhastMusic
SoundCloud → @ghastdub
Twitter → www.twitter.com/GhastMusic
Free Love Digi:
Facebook → www.facebook.com/FreeLoveDigi
SoundCloud → @free-love-digi
Twitter → twitter.com/freelovedigi
Premiere: Greazus – Braise
Vancouver’s finest bass experimenters touch down on Dexta’s influential Diffrent Music with a fresh EP and we’ve got the exclusive on deep sub rumbler Braise! Sparse riddims, spooky textures and tons of low end flavour; yes please. Look out for this dropping at all good digital outlets on the Greazus <3 U EP from Sep 28th, with an exclusive CD edition available to pre-order from Bandcamp right now.
Greazus:
Facebook → www.facebook.com/greazus
SoundCloud → @greazus
Twitter → www.twitter.com/greazus
Diffrent Music:
Facebook → www.facebook.com/Diffrentmusic
SoundCloud → @Diffrent
Twitter → www.twitter.com/Diffrentmusic
Premiere: Subtension – Overground
Our latest exclusive comes straight from the studio of Slovakian producer Subtension as he lands on Melbourne’s well respected Plasma Audio imprint with a hefty slab of 20/20 style experimental halftime hip-hop. Serious bassweight and a rude swagger on this one! Hit up Beatport to grab it now alongside a tidy remix from Nickbee of Hybris’ previous tune for the label, Carousel.
Subtension:
Facebook → www.facebook.com/subtensionmusic
SoundCloud → @subtension
Twitter → www.twitter.com/subtension
Plasma Audio:
Facebook → www.facebook.com/plasmacolab
SoundCloud → @plasma-audio-melbourne
Twitter → www.twitter.com/PlasmaColab
Premiere: Lakeway – Fireblast Riddim
Premiere time once again as we present the exclusive first listen on Lakeway’s latest slice of experimental 170BPM bass business. Punishing sub and a driving kick rhythm define Fireblast Riddim, combining influences from halftime D&B, trap and footwork for a heavyweight slab of futuristic electronica. The string breakdown in the mid-section is a beauty too!
Look for this one coming on Sweetbox August 31st.
Lakeway:
Facebook → www.facebook.com/LakewayDnB
SoundCloud → @lakeway
Twitter → twitter.com/LakewayDnB
Sweetbox:
Facebook → www.facebook.com/sweetboxmusicuk
SoundCloud → @sweetboxmusic
Premiere: Moralz – Get Em (Kloak Remix)
We’ve got a brand new exclusive cut today taken from the forthcoming Moralz remix EP for Free Love Digi with Seattle’s Kloak turning in a slamming new mix of Get Em. Chunky breaks and massive bassline business are the order of the day on this jungle-tinged smasher; sick one!
Look out for the EP featuring remixes from 6Blocc, Thomas B, Neuropunk and more, dropping August 29th at all good digital stores.
Kloak:
Facebook → www.facebook.com/kloakmusic
SoundCloud → @kloakmusic
Twitter → twitter.com/GetKloaked
Moralz:
Facebook → www.facebook.com/moralzmusic
SoundCloud → @moralz
Twitter → twitter.com/MoralzMusic
Free Love Digi:
Facebook → www.facebook.com/FreeLoveDigi
SoundCloud → @free-love-digi
Twitter → twitter.com/freelovedigi
Q&A – Tom Retraflex [Waves]
Flexout have crafted quite a name for themselves as purveyors of high quality, underground D&B leaning towards the grittier end of the sound, but their latest venture has seen them branch out with a new series called Waves focussed on the bass-heavy halftime hip-hop sound associated with Noisia and Ivy Lab, among others. To find out a bit more about the series we hit up Tom Retraflex for a chat…
DNB Dojo Mix Series 32: Thomas B
We’ve got another transatlantic hookup on our latest mix as we welcome Arizona-based producer and DJ Thomas B to the Dojo Mix Series! Having proved himself behind the decks in the late 90s New York rave scene under the name Tarzan before relocating to Tuscon in the early 00s, nearly two decades in the scene have informed Thomas’s recent forays into production. Those forays have born forth some of the most forward thinking 170BPM music to cross our inbox, and found him a home at Quentin Hiatus’ excellent Free Love Digi imprint.
Thomas’s selections for this mix span future bass from the likes of Shades, Alix Perez and Signs and more conventional rolling D&B from Xtrah, Noisia and more, plus of course plenty of music from the FLD family. Firing tunes and pinpoint mixing; serious skills!
As usual you can check out the mix via Soundcloud below or head to Mixcloud, Hearthis.at or iTunes to stream. You can also grab a download from Google Drive.
Klax – Systems Vol. 3 [Critical Music]
Brighton production trio Klax are kicking off their 2016 in a big way with their entry to the Critical Music Systems series, following on from the previous volumes by Halogenix and Fre4knc.
Systems Vol. 3 continues the Critical trend for genre-blending experimentations, bringing together the energy and intricacy of D&B with the influence of hip-hop and the wider world of bass music for a potent selection of sonic weapons. The appropriately titled Ritalin leads the charge with an onslaught of off kilter drum rolls, hard metallic snares and ADHD vocal chop ups. Hotline continues this theme, slowing the roll slightly to focus on a hip-hop swagger and the influence of trap and footwork, while The Level brings more of a carnival vibe to the table.
Just to switch things up a bit we’re treated to a thoroughly tasty remix of previous Klax/Critical outing Blackball with Foreign Concept lending the tune his own distinctive touch. The distinctive bassline remains but the previously stark arrangement are replaced with a more rolling breakbeat and some extra pads to pack the tune out a little. Last but by no means least Wait For Me provides one last hefty halftime stomper, and stomping it is with massive kicks, echoing claps and some pretty badass synth action on the go.
As we’ve come to expect now Critical continue to push the envelope of what D&B can and should be, while keeping it firmly dancefloor focussed. We’ll have plenty more of this please; check out the clips below and hit up the Critical Store to grab the EP on vinyl or digital now.