Competition: Win the new alg0rh1tm EP!

Air Mass (the deeper sister imprint to Mark Kloud’s well established Ground Mass) are back with their 2nd release this month from Serbian producer Alg0rh1tm. Weaving complex sonic tapestries combining cinematic soundscapes, glitchy microfunk-style percussion and a hint of the autonomic aesthetic, the 170 sound doesn’t come much deeper or more hypnotic than this.

The EP drops via the Ground Mass Bandcamp on Nov 29th and the label have kindly given us five digital download codes to give away! To be in with a chance of winning one all you have to do is like the DNB Dojo Facebook page and send an email to competitions@dnbdojo.co.uk with your name and the subject line “Air Mass Competition”. We’ll draw the winners on Tuesday Nov 29th – good luck!

Kimyan Law – Zawadi LP [Blu Mar Ten]

Reviewers often fall back on old adages about “that difficult second album” when reviewing an artist’s sophomore full length, but such adages definitely aren’t needed when discussing Zawadi, Kimyan Law’s follow up to his exceptional 2014 debut Coeur Calme. The 21 year old producer’s work continues to show a confidence, style and eccentricity well beyond his years, and the album is an absolute joy from start to finish.

As with his first LP (and indeed the other scattered tracks that have surfaced in between) Zawadi is wide ranging in it’s influences and sonic textures, an aural melting pot taking in African music, jazz, pop, garage, jungle and who knows what else. Lush natural instrumentation combines with club influences, like on the unusual, amen-tinged glitchyness of Yore Dub or Motsa collaboration Citadelle, which sounds like something Burial might come up with if he’d found a xylophone and could be bothered to work on his mixdowns.

Elsewhere Luba sees Kimyan reconnecting with his tribal roots for a beautifully simple composition consisting almost entirely of natural percussion and chanted vocals, while album closer White Moth Anthem takes a leaf from the LA bass book to explore a lurching, low slung hip-hop jam with tons of swing and a haunting set of synth textures.

There’s plenty of space elsewhere for more conventional D&B outings, whether on soft, liquid-y Phentix collab Mondegreen, stripped back roller Lavender or the deep halftime groove of September. Even on the more fast paced cuts all of Kimyan’s material retains a softness; sharp edged hyper-clean production this is not. The use of organic instrumentation gives everything not just a unique character but a general effortlessness, and the use of space and reverb give the album a profoundly cinematic quality.

More than anything this album is an emotional, evocative collection of material that bears all the hallmarks of a young musician pouring his being into his music. Genuine, engrossing, enthralling and colourful throughout, this might just be the best album you hear this year. Check out the clips below and hit up the BMT Store to grab it on vinyl, CD or digital right now.

Premiere: Mauoq – Mannoy (Kozmo Remix)

Italian producer Mauoq has fast become one of our favourite underground artists over the last few years so we’re incredibly pleased to have the exclusive on one of the new cuts from his very own Mauoq Music imprint!

Mannoy gets the remix treatment from US head Kozmo, taking the original smoother and flipping it round into a bleeped out, wonky slice of halftime D&B with skittering drums and tons of character. Sick! Hit up the Mauoq Music Bandcamp to pre-order now; MQM007 drops Nov 16th on bandcamp with full release following Nov 30th.

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Premiere: Hydro & War – Faux Amis

Methlab are back with the third release on their BNKR imprint with Utopia Music regular Hydro at the controls! The Ethos EP showcases the deeper, more minimal sound that BNKR have been making their mark on and this is exemplified in the stripped back aethetic of Hydro & War’s Faux Amis (or ‘False Friends’ in English).

Intricate drums, myserious vocal samples and growling bassline grit characterise a typically introspective track from a production duo that always bring an exciting take on the D&B sound. Check it out below and watch out for the EP dropping from Nov 29th.

DNB Dojo Podcast #1 – Nov 2016

We’re kicking off a special new feature this month as we present the very first DNB Dojo Podcast! Mixed by blog owner Hex and featuring the best cuts to land in the Dojo inbox over the last couple of months, the podcast features 80 minutes of brand new D&B from across the spectrum with liquid, techstep, neurofunk, halftime and everything in between represented. Check out the mix and look out for a new podcast coming every month from now on!

You can check out the podcast via Soundcloud below or head to YoutubeMixcloud, Hearthis.at or iTunes to stream. You can also grab a download from Google Drive.

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Premiere: SubMarine – Nitro

Our latest exclusive comes straight outta Deutschland courtesy of Cologne producer SubMarine and Leipzig label/events collective Boundless Beatz! Nitro combines rich bass, delicate atmospherics and detailed, intricate percussion work for a top slice of thinking-man’s D&B. So lush!

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Exclusive: Reflektor – Don’t Worry

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We’re incredibly proud to present an exclusive free download from Vancouver production trio Reflektor! Don’t Worry brings together deep bass, crispy breaks and an infectious vocal hook for a top notch roller with tons of detail and an understated euphoria that has been well tested on dancefloors in their native territory; wicked stuff. Follow the link above to grab yourself a free download…

Reflektor:
Facebook → www.facebook.com/reflektordnb
SoundCloud → www.soundcloud.com/reflektordnb

Q&A – ArpXP

Sardinian producer and DJ ArpXP returns to Sun & Bass Recordings for the label’s first solo artist EP this month, with another great selection of deep, melancholic rollers. We grabbed Simone for a quick chat to find out about his links to the festival, the inspiration behind the tracks and where he’d disappear to given the chance…

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Commix – Generation EP 2 [Metalheadz]

Watching artists continue to grow after more than a decade in the scene is a rare pleasure; so many solid creative musicians either fall into a comfortable stylistic groove or disappear for real life or other genres of music. Indeed, it must have been tempting for George Levins to leave the Commix project behind with the departure of longtime production partner Guy Brewer and the success of his lower tempo Endian alias. With that in mind it’s even more of an achievement for Commix to still be here, releasing some of his best music yet no less.

The second part of the Generation EP series for ‘headz sees George delving deeper into the rejuvenated project, with Freefall opening things up with an entirely unhuried, atmospheric slice of D&B; the tempo might be high but the energy levels are definitely kept on the down-low here as the track shimmers effortlessly along. One for the 5am crew!

Honey ups the ante, keeping the soft synth action but melding it together with hard, chopped amens for a track that plants one foot on the dancefloor while keeping the other firmly in introspective territory. A classic Commix roller of yesteryear this is definitely not, but this EP is all about progression rather than regression.

The back half of the selection sees the tempo dip and the vibes becoming more experimental, from the dark, tribal riddims of Behold out into the hypnotic, Aphex Twin-style downtempo of Arplong – this one is just about the lushest track we’ve heard this year. Another top EP from a producer we hope will be brightening the scene for another decade or two yet! Check out the clips below and hit up the Metalheadz store to grab a copy right now.

Premiere: Quentin Hiatus – The First Time Was The Last

The prolific and unpredictable Mr Hiatus returns with another EP on his own Free Love Digi imprint next month and we’ve got the exclusive on closing track The First Time Was The Last. Quirky melodic flourishes blend with garage style beats for a typically experimental take on the 170BPM sound from one of America’s most talented underground musicians. Check it!

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