Silent Witness – The Arc Light EP [Dispatch]

Silent Witness returns to Dispatch Recordings for a solo EP packed full of rolling techie goodness. The titular Arc Light kicks things off with a big bad bassline and a precise break withsome lovely hi-hat work.

Lost keeps the energy flowing with a rapidly moving bassline that has a hypnotic, faintly technoid quality to it. Out into the digital exclusives, FMB strips things right back, letting sci-fi samples breath in between the sparse beats and bass swells. Last but not least Aura lulls us into a false sense of security with a beautiful guitar led intro before the bass and beats smack down for another lesson in who to write rollers.

Pre-order your copy from the Dispatch Surus store and watch out for the release from Feb 3rd.

Optiv & BTK – Zero Tolerance / Tapout [Dispatch Recordings]

Optiv & BTK return to Dispatch Recordings with a pair of stomping techy beats sure to move a few floors over the coming months. Tapout provides classic rolling techstep vibes in the signature Optiv & BTK style, but the real star of the show is Zero Tolerance, cooking things up with a skittering jungle-style beat and a deadly bass riff.

Check out the clips below and watch out for the release dropping from January 13th.

In The Mix…Quadrant & Iris

To celebrate the release of Dispatch’s Transit 2 LP, US producers Quadrant & Iris have teamed up to record a slick mix of dark techstep with beats from Dispatch, Metalheadz, Commercial Suicide and beyond. The tracklist speaks for itself so check out the mix below and head over to Surus to grab your copy of Transit 2.

1. ARPXP & Rexa – No Control (Metalheadz)
2. Quadrant, Kid Hops & Iris – Borealis (Dispatch)
3. Friske – Requisite (Metalheadz)
4. Xtrah – Lost Time (Symmetry)
5. Silent Witness – Ballistix (Dispatch)
6. Fields – Colours (Utopia)
7. Survival & Silent Witness – Noise 3 (Dispatch)
8. Hybris, Quadrant, Dstruct, Iris – Graphene (Dispatch)
9. Acid Lab – Reborn (Breakfast Audio)
10. DLR – 8 bits of 16 (Dispatch)
11. Bulletproof & Optiv – Camouflage (1210)
12. Quadrant & Iris – Depth Sounder (Commercial Suicide)
13. Bone – Dark Eyes (Authentic Music)
14. Kai – Statically Assigned (Violation Music)
15. Quadrant & D-Struct – Sexy Beam (Intrigue)
16. Hydro, War & Mateba – Black Light (Inside)
17. Survival & Silent Witness – Fletcher (Homemade Weapons Rmx) (Free!)
18. Quadrant – Spinout (Commercial Suicide)
19. Quadrant, Kid Hops & Iris – Convervence (Dispatch)

Get To Know…Dispatch Recordings

Leeds-based Dispatch Recordings have been a steady part of the D&B scene for well over a decade now, with a well deserved reputation for releasing tough, rugged tracks from some of the best names in the scene. Never compromising their integrity in favour of current trends, the label has truly gone from strength to strength over the past few years with a couple of massive LP releases and a slew of singles and EPs to boot.

Early releases on the label saw tunes from the likes of Hidden Agenda, NOS and Q-Project taking centre stage, not to mention a rather tasty collaboration between Chris.Su, Stress Levels and Ant TC1.

[youtube http://www.youtube.com/watch?v=yXN3P3OssZs]

Having gained this momentum, 2008 saw the label step up a gear with their first release from the mighty Break (collabing with Survival on the Sick/Warnings 12″). From here on in the discography speaks for itself, with a massive selection of great tracks from the likes of Hybris, EBK, Amoss and Octane & DLR (who’s 2012 LP Method in the Madness was widely hailed as one of the albums of the year).

[youtube http://www.youtube.com/watch?v=4rDt5LiA_nw]

All of this brings us up to the present day and the rather excellent release last month of Survival & Silent Witness’ LP In From The Wild. Every bit as high quality as the Octane & DLR album last year, and lavishly released on both vinyl and CD formats, the tracks below speak for themselves.

So if you don’t know Dispatch, sit down and have a browse of the back catalogue!

Octane & DLR Interview

Last month Octane & DLR released their highly anticipated debut album Method in the Madness to the delight of drum & bass heads everywhere. We caught up with the guys for a quick Q&A about the album and their plans for the future.

DNB Dojo: The album includes a variety of styles, not just the drum & bass you’re known for. Was that a new thing for the album, or have you guys been writing other styles for a while and just not releasing them?

Octane & DLR: We’ve been writing more downtempo music under the name Cymatic for a while. The collective consists of the both of us, Octane & DLR, along with Ruckspin & Quantum Soul.  It’s not a project we’ve wanted to shout about too much because everyone involved already has their own projects with their own workload already quite heavily packed and that doesn’t leave much time for us all to get together. We have released a few things.  Most recently, Electric Church / Jungle Fever and Glue / Hound Dog.  Both 12″s on Box Clever.

With the Method album we wanted to show all of our colours and it made sense for us to add some of our newer Cymatic material.

DD: What’s your favourite tune on the album? Or failing that, which one has been generating the most buzz?

O & DLR: We can’t give you our favourites because we’re completely numb to the whole album after spending so much time writing it! From what we’ve seen so far, the two clear favourites seem to be Murmur (ft. Break) and Set Up The Set (ft. Script).  They’re both definitely the most dancefloor orientated tracks and we expected they’d be the tracks to make an initial impact but maybe people’s favourites will change in time. We’d like to think the album has the ability to grow on people too.

DD: What’s next after the album release? World Tour? Or are you gonna take some time off?

O & DLR: We thought we’d take a little time off but that hasn’t happened yet. We’ve recently remixed Stone & Gerra‘s Dronehead and DabsWho is Gonna Lead and written another track with Break for the Forthcoming Symmetry VA album.  We’ve got a lot more studio work in progress and we’re touring with the album so I think a bit of time off is out of the question just for now.

EB: It’s been a big year for you, with releases on some legendary labels and tons of gigs all over the place. What’s been your highlight of 2012 so far?

O & DLR: Actually finishing the album within our lifetime and without killing each other and/or Ant (TC1).  Then, on the gigs front, Outlook 2012 without question.  For anyone who hasn’t been out there, you really need to make 2013 happen.  Vibes are just incredible!

DD: One for the production geeks out there, what’s your studio setup like in terms of hardware and software?

O & DLR: We love our hardware.  We’ve been through so much kit, it’s ridiculous (and expensive).  There are pictures of our combined studio at www.exhaleaudio.co.uk (where we wrote most of the album). In all honesty though, some software lately has just blown us away. UAD, Waves, Airwindows, Brainworx and Flux are some of the best processors we’ve heard. It’s hard to believe how far technology has moved on and the new wave of inverse distortion plugins is really capturing the analogue inconsistencies that computer musicians were craving.

DD: Wanna tell us a bit more about the Cymatic project?

O & DLR: There’s the two of us [Chris and J] along with Dom (Ruckspin, Submotion Orchestra, Author) and Guy (Quantum Soul). It’s a strange project because although we all love it so much, we rarely all get the chance to be in the same place at the same time due to our solo commitments. When we do, however, there’s usually a few all-night sessions and we really tend to ‘go in’ on the music. The four of us all bring something unique to the sessions and we always manage to keep a vibe going. Having four heads involved is certainly a great way to stay inspired. 2013 will see more Cymatic material.  There’s already more music in the works.

DD: Who are your favourite producers right now?

O & DLR: We don’t really have favourite artists. We’re both on the same page when it comes to this. We’ve always had the idea that we don’t want to sound like anyone or be influenced by anyone else. Obviously we’ve been influenced by everything we’ve heard and enjoyed and it must come through in our own works to some degree but to pin down a favourite artist/producer is near on impossible because there’s just so much amazing music out there.

DD: Lastly, what (in your opinion) is the best record ever? Any era, any style, any musician

O & DLR: I can’t remember what it was or who it was by but it was probably on a tape pack from 1994 and it went something like ‘da dee naa naaa  dum dum’ and had loads of samples in it…that same rave scene inspired everything we all know as dance music now. We’re lucky in that we’ve had Drum & Bass for 20 years now!


Check out clips of the album below and grab yourself a copy from the Dispatch Store at Surus.co.uk.

Amoss – State of Suspension EP [Dispatch]

Since it’s inception way back in 2001 Dispatch Recordings have been crafting a niche for themselves as purveyors of top notch grimey techstep, and their recent output from artists like Break, Sabre, Silent Witness and Dabs has seen the label go from strength to strength. Their latest release comes from Hertfordshire-based production duo Amoss, who have been absolutely carving up the scene recently with releases on Horizons, Inside Recordings and the legendary Renegade Hardware.

Crisp breakbeats and dirty, warping basslines are the order of the day here, but the EP retains a deeper vibe than the full on face-smashing neurofunk of producers like Noisia and Phace. The tracks also show an attention to detail lacking from some drum & bass – every kick and snare has been deliberately placed for maximum effect, and the atmosphere across the EP is dark and brooding.

Check out the tracks below and grab yourself a copy from your favourite vinyl or digital outlet!