Stray – Paradise EP [Exit Records]

Stray is that most rare of beasts; a producer who gets better and more innovative as he advances in years, rather than settling into a comfort zone and churning out the releases. His latest EP for Exit Records finds his work in rude health, with seven new tracks spanning hip-hop, D&B and electronica.

Paradise opens things up with a big, slouching slice of bassy hip-hop which those of you who’ve caught Stray or Ivy Lab recently may well recognise. The groaningly bassy Walkonby and cheekily funky Movements continue the 85BPM hip-hop trend to great effect; it’s a style that Stray has clearly become both comfortable with and adept at over his last few releases both solo and with Ivy Lab.

Queen sees the tempo switch up for the EPs only straight D&B affair, an enjoyable little roller with plenty more of those signature vocal cutups among the soft synths and crisp breaks. Without U moves things in a jungle/footwork direction with big chunky breaks and hints of dub thrown into the mix, before Branflakes drops things back to the hip-hop swagger once again with massive punchy sub and interesting percussion.

Last but not least Dizzy provides a perfect little outro of mellow downtempo, with soft jazz and funk licks set to loose breaks. Blissful stuff. Essential listening once again; check out the clips below and hit up the Exit Store to grab this one on vinyl or digital now.

Calibre – Strumpet EP [Exit Records]

Confession time; when I first listened to this EP I wasn’t actually blown away by it. “Heresy!” I hear you cry. But before the ardent Calibre fanboys come for my head, let me finish – it’s a grower, to say the least.

There’s no doubting the musical chops of Dominick Martin at this point, but it would still be all too easy for him to slip into the formulaic manufacture of identikit liquid rollers and cease to be interesting; thankfully that’s not the case, with the tracks on this EP exploring a slightly different aesthetic than most of his previous work.

The shimmering ambience and crisp liquid breaks are still present, to be sure, but there’s a hint of darkness to the tracks, from the growling bass of Strumpet to the edgy stabs of Stranger and off into the warm and fuzzy basswork of The Sweet and Concrete, the latter of which is undoubtedly the star track of the release.

If you wanted to lay hands on the beautiful limited edition boxed version of this you’re already out of luck, but you can still pick up the regular press on double 12″ from the Exit Store. Check out the clips below and get to getting!

Fixate – Throwback Therapy [Exit Records]

Ready to get ravey? The new EP from Fixate for Exit Records is certainly that, at least on appropriately named title track Throwback Therapy. Mining the sounds of old skool hardcore and jungle and throwing in a pinch of footwork and a hint of D&B, this one doesn’t seem to be taking itself too seriously and is all the better for it.

Digital bonus Sueno treads similar territory, chopping the jungle breaks with some some classic vocal “woo”s for another tidy little rave up. The other three tracks on the EP dial back the nonsense a little in favour of footwork inspired explorations of the halftime D&B pattern, all of which are worthy additions to this growing niche of the D&B community. For me though it’s really all about the less po-faced exuberance of the title track. Check out the clips below and grab this one from the Exit Store right now!

Mark System – Final Approach [Exit Records]

Mark System’s rise through the ranks of Drum & Bass has been slow but steady, plying his talents as an MC, DJ and producer with appearances on a host of well known labels. His recent focus has seen him putting down the mic in favour of production, and the man has spent the last two years busily preparing his debut album for dBridge’s esteemed Exit Records imprint.

Fans will be pleased to see long sought-after track Pursuit getting a release on the album sampler alongside the equally dangerous Optix, but while these are the most obviously dancefloor friendly tracks they’re far from the only thing the LP has to offer.

If there’s a theme to the album as a whole, it seems to be the emphasis of groove and feeling over technicality and detail. This isn’t a record where every eight bars is characterised with a different drum fill or FX hit; rather the tracks are made up of carefully honed breaks and slow, simple but effective progressions. There’s a purity to the compositions which is often lacking in the slightly ADHD style of production adopted by many modern producers, and it’s a refreshing listen for that quality.

From the serene atmospherics of Waiting For a Meaningful Title, through the menacing bass stabs of Lover’s Resolve and out into the playful melodies of Fruit and Water this is a record with a plenty of variety, and yet a common tone persists, avoiding the failing of some albums which sound like a collection of mismatched tunes rather than a flowing narrative.

Overall Final Approach treads the line between dancefloor sensibilities and musical soul exactly as well as we’ve come to expect from the Exit Records camp, and it’s an album that should grow and grow on repeated listens. The sampler is available on vinyl and digital now via the Exit Store and Bandcamp, with the rest of the album due to drop tomorrow; check out the tracks below and get your preorders in!

Skeptical – Something In The Sound [Exit Records]

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It’s not often we cover dubstep here on the Dojo but we’re making a rare exception here for three reasons; Skeptical, Exit Records, and sheer quality respectively. Skeppy’s new 10″ harnesses the spirit of early releases (before the tearout crew crucified the genre with endless wobble and horrible midrange noises) and blends it with the man’s talent for huge booming sub and punchy drums. Think early Tempa or DMZ but with the benefit of another ten years of engineering – formidable stuff.

Something in the Sound carries more energy with plenty of low end muscle and tasty percussion fills to shuffle the track along at as much of a pace as you’d expect for dubstep, while Talk The Talk thins out the drums to let the bass breath through a plodding kick/snare riddim. Check out the clips below and keep your eyes peeled if you want a copy – the release is vinyl only and already appears to be sold out at the Exit Store.

Skeptical – Imperial EP [Exit Records]

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Having contributed releases for both Mosaic LPs, collaborated with dBridge and of course played a part in the seminal Marka single, it seemed only a matter of time til Skeptical dropped a solo release for Exit. Fans of all things dark and minimal in the 170BPM sphere will be glad to hear that that time is now, with young Skeppy dropping four new beats for dBridge’s esteemed imprint in the form of the Imperial EP.

The titular Imperial opens things up with a tight, percussive groover with a tribal vibe; with the exception of some fairly sparse strings this track pretty much entirely ignores melody in favour of a wall of sub bass and a hypnotic drum line, rattling away in a trance inducing fashion. Don’t bother listening to this on a pair of iPod headphones; you’ll need some fairly serious speakers to give it a fair hearing.

Playground Chat Back keeps the minimal aesthetic but strips the beat back and plays with some pretty robotic bass hums; once again the low end heft is definitely gonna induce a few screwfaces in the dance. Instant Reflex ups the energy a bit with tons of movement in the bass samples and massive kicks and snares driving the track along nicely, while Delusions of Grandeur closes things out with a growling, angular half-stepper. Watch out for these dropping January 19th on vinyl and digital, and arm yourself with some low end weaponry!

Top Tracks of 2014

Following our run down of our favourite albums of the year, we felt it was only right to put the spotlight on our top tracks. These are the ten tunes that haven’t left our record box since their release…

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Chimpo – Out An Bad EP [Exit Records]

Exit Records continue to push the experimental sounds on the edges of 170BPM territory with a brand new EP from Manchester MC/producer Chimpo. Restless Leg Syndrome kicks the EP off with rapid fire footwork infused beats and vocal snippets, paired up with a cheeky rave stabs and hefty sub hits – bouncin’ stuff. Haymaker heads for darker and slightly less frantic territory with warm bass growls and a half-time rhythm, while title track Out An Bad sees the man providing vocals in his usual playful style over a tasty beat which owes some of its stylings to the LA Bass scene.

The EP also finds space for two collaborations with Diffrent alumni Fixate, both of which play with a fusion of dub, soca, trap and hip-hop to pretty stomping effect. Overall fans of the “slowfast” 170 style currently gaining traction in the scene will definitely enjoy this EP; check out the clips below and grab it on vinyl and digital from your favourite store now.

Fracture – Loving Touch EP [Exit Records]

The ever enjoyable beats of Charlie Fracture touch down on dBridge’s Exit Records imprint, continuing his leftfield explorations of the 170 sound. Title track Loving Touch (which absolutely went off when I heard dBridge drop it at Glastonbury last weekend) blends old school D&B bass, footwork drum patterns and the irresistible vocal hook from a Chicago house classic. Apparently it was conceived in a dream; we’re not sure if that’s entirely true, but it’s a cracking track and no mistake.

Elsewhere on the EP we’re treated to a stripped-back drum workout on Werk It, twisted, bouncing dub vibrations with more than a hint of jungle on Overload and cheeky Sam Binga collab which keeps the syncopations rapid and the subs massive to close out the EP. As usual Exit are the ones to watch when it comes to pushing the envelope; check out the beats below and grab this one on vinyl or digital now.

Alix Perez – U EP [Exit Records]

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The release of Alix Perez’s second album for Shogun last year came as a disappointment to me – it felt like he’d been lured into the mainstream by the appeal of fame and fortune, with many of the tracks sounding completely unlike the style he’d been carving for himself in the D&B scene. News of an EP for Exit buoyed my hopes that he still had interesting tunes in him, and the results more than confirm that suspicion.

[youtube https://www.youtube.com/watch?v=Ny8ACqYlZh8]

The influence of other electronica pervades the tracks on the EP, with trap, footwork and LA bass all playing into the sound, but thankfully the tracks make the influences their own rather than just copycatting new styles. kicks things off with a breakneck take on the trap/footwork drum pattern and a smattering of cut up vocals, while Stray collab Sludge drops the tempo in favour of a gigantic, stalking, EPROM-style bassline; serious head-nod business.

The footwork influence comes full circle on Make It Worth as the original pioneers of the style Rashad & Spinn get in for a collab. The heavy sub and frantic syncopations oft associated with the genre are present, but with a level of polish which only D&B producers seem able to achieve. The vocal hook ices the cake nicely; no doubt this will be huge both in and out of the 170 scene. Last up the appropriately named Gully Halves strips things back for another minimalistic sub-fuelled slice of electronica that simply oozes with the swagger of the LA bass scene.

Watch out for this one dropping on vinyl and digital from April 7th – preorders are available from Surus now.