Premiere: Cirrus – Lost Heart

Regular readers will know we’re huge fans of Cirrus here at the Dojo so it’s an absolute pleasure to present the premiere of the title track from his new EP, Lost Heart.

Dropping on Dust Audio sub-label Turbine Music next month, Cirrus hones his trademark halftime grit once more here, combining heavy hitting kicks and snares with rumbling sub and clattering amen fills for a relentless slice of experimental D&B pressure. Serious business!

Cirrus:
Facebook → www.facebook.com/cirrusdnb
SoundCloud → @cirrusdnb
Twitter → twitter.com/cirrusdnb

Dust Audio / Turbine Music:
Facebook → www.facebook.com/DustAudioDNB
SoundCloud → @dustaudio
Twitter → twitter.com/dustaudio

Premiere: Lakeway – Fireblast Riddim

Premiere time once again as we present the exclusive first listen on Lakeway’s latest slice of experimental 170BPM bass business. Punishing sub and a driving kick rhythm define Fireblast Riddim, combining influences from halftime D&B, trap and footwork for a heavyweight slab of futuristic electronica. The string breakdown in the mid-section is a beauty too!

Look for this one coming on Sweetbox August 31st.

Lakeway:
Facebook → www.facebook.com/LakewayDnB
SoundCloud → @lakeway
Twitter → twitter.com/LakewayDnB

Sweetbox:
Facebook → www.facebook.com/sweetboxmusicuk
SoundCloud → @sweetboxmusic

Conduct – Borderlands LP [Blu Mar Ten]

Let’s get this out of the way straight off the bat; Conduct’s debut LP is one of the best album’s you’ll hear this year, if not this decade. Regular readers are unlikely to be surprised by this verdict given our glowing coverage of the previous album singles and general love of all things Blu Mar Ten Music, but don’t dismiss this review based on our apparent lack of objectivity.

To get another thing out of the way, anyone looking for an album of dancefloor rollers or constant 2-step drum beats will be heartily disappointed, but this has never been what Blu Mar Ten Music has been about. Following in the footsteps of Frederic Robinson and Kimyan Law, Conduct are doing their best to redefine the boundaries of what 170BPM music can or should be, and the results are breathtaking.

The most striking thing about many of the tracks on Borderlands is the bold use of prominent instrumentation not usually associated with drum & bass, particularly guitar lines. From the stark, country-style steel string lines of Bat Country to the lavish twin-guitar progressions of Archaic, it’s obvious that Conduct are more than just laptop junkies.

That use of natural instrumentation combined with more synthetic bass and drum elements defines the sound on many tracks, providing a fantastic duality. Soft, natural keys float above monstrous low end modulations on Pianotune, while mournful six-strings duel with warped vocals on Beta’s Error to highlight a couple of notable examples.

A strong sense of yearning shines through on the material too, such as the delicate and heartful strains of Turmoil and the more optimistic melodies of Grand Panjadrum; attempting to adequately describe the intention of these tracks is probably an exercise in futility, but they certainly carry an emotional component often lacking from even leftfield electronic music.

Overall this is an intense and powerful body of work; varied yet cohesive, musically deft and thoroughly evocative. It plays like no other drum & bass record you’re likely to hear, and it’s a huge achievement from a duo we hope to hear much more from in the coming years. Check out the previews below and head to the BMT store to grab it on vinyl, CD or digital right now.

Vromm – Binary Vol. 8 [Critical]

The Binary series has been a mixed bag; the concept of a digital-only series allowing more rapid dissemination of music with less risk is certainly a solid idea for a label of Critical’s size, but (perhaps inevitably) the results have been a little inconsistent. To our mind, the series has been at it’s best when pushing the envelope with more experimental sounds, and that’s exactly where their latest EP from Vromm comes in.

There’s a fair amount of variation to be found in the four tracks on show. Nomad and Motor Hell provide Samurai/Cylon-esque slices of moody halftime which plenty of interesting sonic textures, but the other two tracks are where Vromm really excels himself. Zombie features some fantastically intricate percussion and a really nice second half progression, while star opening track Lake Monsters is a masterclass in sound design, with terrifying effect.

It’s great to see Kasra’s label providing a platform for an emerging artist with a fairly avantgarde sound; we hope to hear more of this kind of thing via Binary in the future, assuming it lasts longer than previous series Modulations. Check out the clips below and hit up the Critical Store to grab a copy now.

MZE/IIx – Chi EP [Break The Surface]

Leipzig label Break The Surface are back with a great new EP from multi-identity producer MZE aka IIx, who showcases his take on the halftime sound across four cracking new tracks.

The halftime sound can sometimes be accused of being “deep” to the point of boredom but that’s definitely not the case here; tracks like Dibia and Tsetse have more than enough playful drum syncopation and bassweight to make bodies move in the dance. Even the more groove-led One Six has a hypnotic appeal, bringing in influences from dub and techno for a mesmerizing journey.

Check out the clips below and hit up Bandcamp to grab the Chi EP right now!

May Roundup

Time for another roundup of the best releases in the underground D&B scene; read on for new releases from Renegade Hardware, Flexout, Warm Communications, Invisible and more…

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DNB Dojo Mix Series 32: Thomas B

MixSeries32_ThomasB

We’ve got another transatlantic hookup on our latest mix as we welcome Arizona-based producer and DJ Thomas B to the Dojo Mix Series! Having proved himself behind the decks in the late 90s New York rave scene under the name Tarzan before relocating to Tuscon in the early 00s, nearly two decades in the scene have informed Thomas’s recent forays into production. Those forays have born forth some of the most forward thinking 170BPM music to cross our inbox, and found him a home at Quentin Hiatus’ excellent Free Love Digi imprint.

Thomas’s selections for this mix span future bass from the likes of Shades, Alix Perez and Signs and more conventional rolling D&B from Xtrah, Noisia and more, plus of course plenty of music from the FLD family. Firing tunes and pinpoint mixing; serious skills!

As usual you can check out the mix via Soundcloud below or head to Mixcloud, Hearthis.at or iTunes to stream. You can also grab a download from Google Drive.

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Kid Drama – Covering Ground EP [Exit]

The latest work from Kid Drama for Exit Records sees the man otherwise known as Jon Convex dipping his toes back into the more conventional D&B arena, kicking his new EP off with a distinctly Metalheadz-esque tech roller; super-crisp breaks and a simple array of dark bass stabs bring to mind classic tracks from the likes of Photek, and the groove is unarguably tight.

Appropriately for a release entitled Covering Ground the next track changes tack completely, bringing together glitchy, microfunk style percussion with shimmering melodies for a much more liquid-y number. Skeptical’s collaborative influence can definitely be heard in the drums while the IDM-style melodies of Convex’s excellent Mikarma project float above.

Up next comes Wasted Time, a track that could easily have been at home on the original run of Autonomic releases, playing with the halftime template and unusual synth sounds under a silky vocal from Alia Fresco. Last up, Consequence hops on board for the brooding, cinematic explorations of Shutter.

It’s great to hear Kid Drama collecting a relatively diverse array of material on this release and Exit is undoubtedly the perfect outlet for his aural excursions. Emotional and evocative as always; check out the clips below and hit up the Exit store to grab it on vinyl or digital from today.

Conduct – Bat Country [Blu Mar Ten]

Blu Mar Ten Music continue winding up towards the release of their latest solo artist album with a second single from the rather talented Conduct. As we’ve come to expect from BMTM the musicality on show here is breathtaking, providing ample proof that D&B can be about so much more than just forgettable dancefloor fodder.

The solemn guitar work on lead track Bat Country brings to mind equal parts latter-day Earth (check their excellent album Hex; or printing in the Infernal Method) and the soundtrack to a tense saloon stand-off in some imaginary Western. Said licks combine surprisingly well with the obviously synthetic bassline elements later in the track for a decidedly moody aesthetic.

Over on the flip, Beta’s Error goes in super deep, eschewing any kind of rolling or stepping drum pattern for sparse, echoing kicks and percussive glitches, allowing the creepily treated vocals and melancholy atmospheres space to breathe. The influence of shoegaze and post-rock definitely seeps into Conduct’s sound on this one, and the results are sublime.

As usual you can pick this one up from the Blu Mar Ten store on vinyl or digital, and we’d encourage you to grab a copy right now, because this is undoubtedly one of the finest pieces of music to cross our inbox this year.

Oliver Yorke – Helion / Kali [None60]

We’ve been waiting hopefully to hear more music from Oliver Yorke since we first discovered him via his rather excellent Into The Void EP for Vandal Ltd early last year, and thankfully the intervening time hasn’t blunted his talents any.

Oliver lands on Silent Dust’s None60 imprint with two absolutely beautiful slices of deep, experimental music which push the boundaries of the 170BPM template in new and interesting directions. Helion kicks things off with a selection of enthralling melodies, cinematic synth washes and precision percussion; there’s a hint of Photek to the drums and the composition is intricate without feeling hyperactive.

Flipside Kali plays with trap-esque hat rolls and a plodding kick-snare drum pattern, but fear not, this isn’t a half-arsed take on the trendy halftime hip-hop being put about by the likes of Ivy Lab. Once again we’re treated to rich bass and fantastic synth textures set to a head nodding groove. This one has a hint of the sultry to it without getting into “sexy R&B” cliches, and that’s quite a feat in and of itself.

Essential business once again from a really talented musician; check out the clips below and hit up the None60 Bandcamp to grab this one right now.