Concealed Identity – Levanter [Narratives]

In today’s world of low cost, high quantity digital output, Narratives Music are something of an enigma. Compared with the hectic release schedule of most D&B imprints, their leisurely pace (with sometimes only one release a year) stands apart from the pack, but the bar set by those releases very much stands apart too. Quality over quantity is a maxim more imprints might do well to try and follow.

The latest work on the imprint comes from relatively unknown producer Concealed Identity and holds true to the aesthetic of previous releases; deep, beautiful, and unbelievably well produced. The positively cinematic Levanter brings together epic pads, super crisp drums and soft, melancholy sax for a constantly cascading, reverb drenched halftime exploration that could scarcely be more spaced out if it tried. Dancefloor material this is most certainly not, but powerful and enthralling it most certainly is.

Calavera meanwhile brings similarly crisp percussion and hints of jazz but mixes them up into a more insistent, more threatening composition that carries a hint of the Metalheadz sound. The creepy string work and clattering drum section are absolutely hair raising on this one.

Narratives have once again excelled themselves here! Check out the clips below and hit up their Bandcamp page to bag the release on vinyl or digital ahead of the Jan 29th release.

Q&A – Deficit & Esion [AutomAte]

automate

Regular readers will be more than aware of AutomAte; as one of our favourite small imprints, we’ve kept a close eye on their development over the past three years and greatly enjoyed watching Deficit and Esion move the trio of labels from strength to strength. They’re kicking off 2016 as they mean to go on with another top release from Fuj, so to find out a bit more about that and their plans for the rest of the year we tracked the pair down for a chat. Read on for all things AutomAte… Continue reading

January Roundup

2016 is already looking like a great year for drum & bass, so without further ado we’ll be taking a look at some of the worthy releases that have hit the Dojo inbox so far this year. Read on for new beats from Genotype, PIN, Sully and more… Continue reading

Klax – Systems Vol. 3 [Critical Music]

Brighton production trio Klax are kicking off their 2016 in a big way with their entry to the Critical Music Systems series, following on from the previous volumes by Halogenix and Fre4knc.

Systems Vol. 3 continues the Critical trend for genre-blending experimentations, bringing together the energy and intricacy of D&B with the influence of hip-hop and the wider world of bass music for a potent selection of sonic weapons. The appropriately titled Ritalin leads the charge with an onslaught of off kilter drum rolls, hard metallic snares and ADHD vocal chop ups. Hotline continues this theme, slowing the roll slightly to focus on a hip-hop swagger and the influence of trap and footwork, while The Level brings more of a carnival vibe to the table.

Just to switch things up a bit we’re treated to a thoroughly tasty remix of previous Klax/Critical outing Blackball with Foreign Concept lending the tune his own distinctive touch. The distinctive bassline remains but the previously stark arrangement are replaced with a more rolling breakbeat and some extra pads to pack the tune out a little. Last but by no means least Wait For Me provides one last hefty halftime stomper, and stomping it is with massive kicks, echoing claps and some pretty badass synth action on the go.

As we’ve come to expect now Critical continue to push the envelope of what D&B can and should be, while keeping it firmly dancefloor focussed. We’ll have plenty more of this please; check out the clips below and hit up the Critical Store to grab the EP on vinyl or digital now.

December Roundup Part Two

We’ve been a little less active than usual with the posts this festive season so for our very last post of 2015 we’re rounding up the best releases this month which might otherwise have slipped the net. Read on for new beats from Trilo, Was A Be, Sikey and more… Continue reading

Quentin Hiatus – I’m Neither Quentin Nor Hiatus Vol. 2 [Free Love Digi]

US beatsmith and sonic experimenter extraordinaire Quentin Hiatus returns with the second volume of his split LP, I’m Neither Quentin Nor Hiatus. After the mostly experimental and introspective sounds of the excellent Vol. 1the second instalment seems to shift focus towards the dancefloor while keeping that trademark QH playfulness when it comes to sitting slightly outside convention.

There’s certainly plenty of variety on show here; After Image kicks things off with a hypnotic slice of rolling, tech-edged D&B, while Always Sunny immediately flips things around into a moodier and more techno inspired groove. Elsewhere we’re treated to lower tempo garagey vibes on the fantastically groovy Danny Tanner, jacking house on Steppin Out and scuzzed up footwork on Edison before I Stop closes the album out with a slice of IDM-infused halftime hip-hop.

If Vol. 1 was the sound of a man’s innermost thoughts and feelings wrapped in an eclectic array of electronic instrumentation, Vol. 2 is that same man jumping out of the armchair and heading straight to the dancefloor to throw some mean shapes. Another thoroughly enjoyable outing from a producer who constantly impresses us here at the Dojo. Check out the clips below and hit up your favourite digital outlet to grab the LP now!

Goldie – Broken Man [Metalheadz]

Metalheadz continue their absolutely stellar run of recent releases with a single from label boss Goldie. Broken Man brings in a heart-wrenching vocal from young soul vocalist Kwabs and generally eschews D&B conventions to focus on a more “song” style composition, with the other sonic elements all serving to lift and empower the vocal in the mix. It definitely won’t be for everyone but for our money this is a cracking piece of music, charged with emotion and not seeking anyone’s approval.

Over on the flip Ivy Lab’s Halogenix delivers a sleek remix that should tick all the requisite boxes for fans of the deep liquid roller, and certainly makes the track a bit more DJ friendly. Expect to hear this reached for late in the night, and possibly the subject of some cheeky double drops with heftier tunes. Top class from Metalheadz once again; check out the clips below and hit up their store to grab it on vinyl or digital now.

November Roundup

Time for another look at the best of the rest for the past couple of weeks with new releases from London Elektricity, No Rules & Torn, Hex and more…

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Dojo Damager: Phace & Culprate – Logic Bomb

This week’s Dojo Damager comes from German neuro powerhouse Phace and Bristol wunderkind Culprate who bring us the dangerously tweaked out vibes of Logic Bomb. If the sound of a super computer completely losing it’s silicone mind could be digitised and imbued with a hefty layer of sub bass, the result would be this; relentless scattershot percussion and savage bass stabs combined with that ultra precise Phace engineering makes for quite a tune!

Check out the Noisia Radio premiere of the track below and grab it as part of the Phace & Friends EP on Critical from Nov 13th.

Royalston – People On The Ground [Med School]

Royalston is one of the many highlights of Med School’s diverse roster, and with good reason; his prolific and unusual take on D&B continues to be a breath of fresh air in a scene with far too many copycats and producers all too willing to stick to the well trodden path.

His second full length for the label in as many years is full of eclectic delights, with a plethora of influences coming together across the fifteen tracks, bound together by meaty 170BPM underpinnings. The willingness to play with the formula only adds to the impression that Royalston has very much found his stride, confident in his own ability to experiment and express.

The titular People On The Ground proves to be one of the highlights, building up through a piano led, trip-hopy first verse before tearing out into an unexpectedly massive second drop. Elsewhere we’re treated to the eminently bright and chunky Blight Mamba, the creepy synths and insistent tribal rhythms of I Saw The Face Of  A Person and the madcap, helter skelter breaks of XOR to name but a few.

While phrases like “tore up the rule book” and other similar hyperbole are vastly overused in reviews and press releases alike, it’s certainly true that Royalston’s work walks an interesting line; the tracks here feel fairly DJ friendly in structure but certainly aren’t bound by traditional D&B tropes to any great extent. Indeed that he manages to walk this line is quite a feat in itself, let alone that the results are so pleasing.

DJs looking to throw the crowd a few curveballs and listeners looking for a break from predictable 2-step rollers should definitely check this out; even in a year of strong D&B albums, this one stands shoulder to shoulder with the best of them. Check out the album minimix below for a flavour of the tracks and hit up the Hospital Store to grab it on vinyl, CD or digital now.