Underground Sonics LP [Critical]

Critical Music are back with a vengeance with the Underground Sonics LP, a various artists compilation straddling all the styles of Drum & Bass via 18 tracks of cutting edge 170 BPM production from the label’s extended family. The compilation sees many artists exploring new territory away from their usual styles, to interesting effect.

Dub Phizix turns in an unusually mellow and unusually rolling beat in the form of The Clock Ticks, while Ivy Lab up the ante compared to their previous releases with a tougher and more energetic beat paired with the musicality we’ve come to know and love from the trio. Foreign Concept teams up with DRS to turn in the dark, skanking, hip-hop influenced halfstep of Falling Stars while Sam Binga and Redders blend trap, footwork and ragga to great effect on Lef Dem.

Elsewhere we’re treated to two surprising collaborations from tech heavyweights, with InsideInfo and Mefjus turning in a surprisingly minimal slice of tribal tech with Repentance while Noisia & The Upbeats put aside their usual aggression for a hypnotic deep liquid roller on Little Fling. Fans of brutal tech need not worry though – Stealth and Phace are both on hand to provide the dancefloor darkness, as are Emperor & Centra with the huge digital exclusive The Saboteur.

Enei and Kasra turn in a selection of characteristically heavy hitting beats, while Stray and Halogenix look to the experimental/hyperactive end of the spectrum with their individual takes on frantic drum syncopation with a footwork bent. Finally Blocks and Escher give Enei’s Thinline the old school tech workover with a huge beat and some serious menace on the low end.

Overall it’s hard to argue with this as the first essential release of 2014. Check out the tracks below and grab yourself a copy now from the Critical Surus store.

Sam Binga – AYO [Modulations]

Critical sister-label Modulations continues it’s fine tradition of putting out the less conventional end of the 170BPM sphere with it’s latest release from Bristol’s Sam Binga. AYO kicks things off with an MC-led halfstepper featuring the vocal talents of Redders over a distinctly trap-influenced beat that brings to mind Fracture’s half-time explorations in terms of drum structure, but moves off into synthier territory for the lead and bassline. The influence of EPROM and the glitchy LA hip-hop sound shines through here to give the tune real character, not to mention a healthy swagger.

Freezy keeps things bouncy and half-time but ups the syncopation, drawing on classic jungle breaks and some ghetto-tech/footwork style vocal cuts for an effortless blend of slow and fast. a hypnotic lead line and some tasty old-skool rave stabs fade in and out of the mix for extra sizzle. Lastly for the digital buyers 8 Barr ups the glitchyness with a tune that’s sure to have crowds raising a gun finger or two for the deadly subs.

Check out the tunes below and watch out for the release from October 7th on vinyl and digital.

Mosaic Vol. 2 [Exit Records]

It feels almost redundant to be reviewing this but just in case anyone has somehow slept on what is definitely one of the best compilations of 2013, then feast your ears on Mosaic Vol. 2. Bringing together some seriously deep and innovative cuts from thirty different producers and spanning four plates of vinyl for the wax enthusiasts, Exit have truly outdone themselves.

Among the standout tracks (and this is a tough choice given the quality on show from all concerned) are the glitchy madness of Rockwell’s *)*[808], the lush halfstep liquid of Synkro’s The Way and the classic Fist Level 2B from Insta:mental (only been waiting three years for this one guys…)

Elsewhere Kryptic Minds deliver a fantastic slice of moody halfstep with Burnt To Ashes (a rare return to the 170 tempo since their exit to Dubstep realms several years back), Om Unit and Sam Binga collab on some deeply hip-hop/footwork influenced business, and Fracture & Dawn Day Night bring us the sounds of the ghetto on Sick Wid It. Check out clips of every track below and watch out for this one dropping on digital July 29th with vinyl following on August 5th.