Classic Track: Bad Company – The Nine

It’s been a while since our last Classic Track retrospective, so we figured what better reason than the re-release of possibly the most iconic track from the 90s Techstep era? Bad Taste Recordings have gone back to the original DAT tapes for a brand new digital remaster of Bad Company’s legendary tech roller The Nine, preserving the flavour of the original but adding a wee bit of extra crispness to the sound. Check it out below and head to the Bad Taste store to pick it up on vinyl or digital now!

[youtube http://www.youtube.com/watch?v=3QJm1tzKrhs]

Ed:it – Sound Killer / I Would [SGN:Ltd]

Ed:it ups the ante for SGN:Ltd with the monstrous Sound Killer. Dubby chords and a ragga vocal sample provide the icing on a warped, twisted cake of heavy kicks, reverb drenched snares and monstrous bass.

Over on the flip I Would shows the deeper side of Ed:it’s production, with a nice vocal cut up layered over a meaty package of bass and beats. This one doesn’t pull any punches either! Check out the A side below and watch out for the release dropping Feb 16th on vinyl and digital.

Q&A – Safire [Plasma Collaborative]

When the debut single from brand new Melbourne crew Plasma Collaborative landed in the inbox we were suitably impressed by not just the tunes but the presentation and ethos of the outfit. To find out more we caught up with Safire about the collective’s ideas and their plans for world domination over the coming year.

DNB Dojo: Plasma Collaborative is clearly a group with many talents and many ambitions, can you tell us a bit about how the collective came together and who does what?

Safire: Plasma Collaborative is a creative platform that allows artists & musicians to express their creative works to the world. We wanted to create something new that isn’t afraid to takes risks in a new environment. We are a group of friends – artists, musicians, audio heads, fashion designers etc. from Melbourne.

The project is driven by Safire & Finna. We’ve been orchestrating tours and events in Australia for almost a decade. Through our events company BBA we’ve been lucky to develop relationships with a lot of great people and has been one of the major factors we’ve been able to get a project like this off the ground, having the global support we do. Our two closest partners are Morph & Tobias J. We’ve always seen so much talent around us and needed a way to bring it all together, so we decided to form the collaborative as this would give us a way to expose our works to the world. The concept was to create a collective made up of various components…A (Record label), Apparel (Products hand made in Australia & locally produced), Digital Media Production (Music Videos, Audio Tutorials, Sample Packs etc.) and a studio facility based in Melbourne. This kind of platform would give us freedom to work within our creative sector…now that it exists the scope is endless moving forward.

DD: The teasers of the first single are sounding enticing, and you’ve netted some big names for a new collective. How did the single come together?

S: We always had an intention for Plasma Audio’s inception to be one of very high standard. We’ve worked with Icicle quite a lot over the years through promoting events in Australia and couldn’t think of a better artist to help us kick off our label, he is very aware & aligned with our direction & intentions. We knew we’d get exactly what wanted, so I hit him up regarding a remix and he suggested I send over something over. Myself, Amoss & Gusto had just finished up a tune which had lyrics referring to ‘Plasma’ and the ‘4th state of matter’ so it made sense for Icey to remix 4th State!

DD: Can we expect some home grown singles from Australian producers in the future?

S: Yes definitely, if the quality is there then for sure. Plasma Audio isn’t necessarily about representing music from the south pacific though. There have been a few labels pop up over the years that have had the concept of exposing music from from a continent that isn’t quite as active in the drum and bass world as some but that isn’t not our focus to be honest. We want to represent production that aligns with our concept & vision regardless of where its from…we just want to have a certain standard representing our sound and through the relationships we’ve developed over the years we’re lucky enough to have access to artists from around the globe from our inception.

DD: You’ve already notched up some fantastic videos for The Upbeats and Subtitles Music. Do you feel the music video is underused or under-represented in the D&B scene?

S: Definitely, I think music videos and media production is very important nowadays. In my opinion is shows extra effort has been put toward a label’s productions. I feel it’s important to show that you’re doing these kinds of things if you want to set yourself apart from the rest in some way. The music videos were created by one of our artists ‘Tobias J who represents his own media production company Defnative. A lot of the credit goes out to him for all the video productions on the Plasma website. He is a talent and expect to see a lot of work from him popping up throughout various audio and visual scenes throughout the world.

DD:  What’s in the pipeline for 2014?

S: We’re currently wrapping up music for 002, and 003. 002 will be another 12″ from artists we’ve worked in the past through BBA. We’re looking at doing an EP for 003 which will feature artists from around the globe. It might not be the case with every single release, but for some of them we plan to include a range of artistic products relative to the release such as limited edition vinyl sleeve, art prints & t-shirts etc.

We have a new range of apparel coming including new t-shirt designs, a jacket and various other apparel products. We’ve also aligned with various audio companies around the globe such as hardware and software developers. We’ll be demo-ing some of their products and making production videos giving insight to new products from boutique analogue equipment to our own audio sample packs including a Plasma Audio Virus TI Soundset & even our own acoustic treatment products. We’re lucky to have a wide range of talent & artists working with us to cover a huge range of fields giving us the opportunity to immerse in various fields.

Music will be at the forefront of our agenda although apparel, digital media, studio work & various other creative avenues will no doubt be providing us with plenty to do over the years to come!


Check out the new Plasma Collab single from Amoss, Safire, Gamma and Icicle below and watch out for the release dropping next month.

Optiv & BTK – Zero Tolerance / Tapout [Dispatch Recordings]

Optiv & BTK return to Dispatch Recordings with a pair of stomping techy beats sure to move a few floors over the coming months. Tapout provides classic rolling techstep vibes in the signature Optiv & BTK style, but the real star of the show is Zero Tolerance, cooking things up with a skittering jungle-style beat and a deadly bass riff.

Check out the clips below and watch out for the release dropping from January 13th.

Skepsis – Wicked Devil [Transmission Audio]

Leeds label Transmission Audio return with their third release featuring beats from Victim and Skepsis. Victim delivers a tight, detailed techy roller on the A side but for me it’s all about Skepsis’ Wicked Devil on the flip; possibly the most savage tune I have heard from 2013’s releases, falling short of only Billain’s Boogie. Make no mistake, this is a relentless dancefloor pulverising machine! Check out the beats below and grab a copy from your favourite digital outlet now!

Optiv & CZA – Dead Beat / Ziplock [Cause4Concern]

Optiv & CZA continue their fine trend of hook-based rolling techstep with a pair of straight up dancefloor killers for Cause4Concern Recordings. Full-roll beats, dark modulated bass and that instantly recognisable C4C sound…there’s not much more to say really! Check out the clips below and watch out for the release dropping from Jan 6th.

Need For Mirrors & HLZ – Rotor EP [Horizons Music]

Horizons Music round off a great year with a cheeky new EP of deeper beats from Need For Mirrors and HLZ. The titular Rotor provides a dubbed out atmosphere and brooding bassline for a tune that is all groove; simple, but perfectly engineered. Pantheon ups the ante with a plethora of percussion fills giving the main break urgency and bassline modulations adding to the texture under lush top end synth work.

Actress heads for darker territory, stripping back the pads and hitting in with agressive snares and punchy bass hits. Finally we’re treated to another groove-led production in the form of Broadwalk, with a precise break and a simple yet memorable bassline taking centre stage over a backdrop of subtle pads and swells. Check out the beats below and grab yourself a copy on vinyl or digital from the Horizons Store!

High Rollers Vol. 1 [Addictive Behaviour]

New label Addictive Behaviour launch their debut release with a selection of tight, techy beats from four of the hottest up and coming producers on the scene. Detail opens the salvo with Lost Time, a slice of robotic funk that takes a few pages from the book of Phace, without going in quite as hard as the German neuro don tends to hit us. Next up Eastcolors delivers the twisted, warped sounds of Mad Day. Eerie synth sounds on the intro give way to groaning modulated bass and a driving drum beat that keeps the tune rolling along with a fearsome precision.

L33 offers up some interesting sounds on Discrete, with what sounds like plucked strings blending nicely with a minimal yet techy composition. Finally Minor Rain takes us on an old-school tinted ride, modern neurofunk bass combining nicely with the classic synth stabs of early Virus Recordings material. Equal parts dancefloor sensibilities, technicality and attention to detail, fans of the cleverer side of techstep should definitely give this EP a look. Check out the clips below and pick up a copy now!

Detail – Time Stretching / Pressure [Commercial Suicide]

Commercial Suicide rounds off a great year with a single from Ukrainian producer Detail. Showcasing the balance of technicality and musicality that fans of the label have long appreciated, Time Stretching lulls you into a false sense of security with mellow guitar licks before the deadly sub stabs hit you in the chest.

Over on the flip, Pressure builds the tension with a dubbed out, haunting intro; to call this moody would be the understatement of the year. The drop kicks the tune into gear with angular percussion, heavy sub and little else, proving that sometimes less is definitely more. Watch out for this one dropping on vinyl and digital from December 16th.

Quadrant & Iris – Spinout [Commercial Suicide]

US duo Quadrant & Iris have been busy lately with releases for Dispatch, Intrigue and Avantgarde and now the duo grace Klute’s Commercial Suicide imprint with a new 12″ featuring their signature style of rolling beats and weighty bass.

The titular Spinout sees Quadrant on a solo outing, delivering a tight, techy roller embellished with some floaty synth action in the breakdowns. Next up the pair collaborate on Depth Sounder, featuring an insistent bass riff and super detailed percussion which is sure to have you nodding along. The EP wraps up with a deeper, halftime number featuring the additional talents of Calculon and Homemade Weapons, filling in the sparser beats with twin basslines and echoing vocal snippets.

Check out the clips below and watch out for the release dropping on vinyl and digital from December 16th.